
This building of imposing image is an example of conventionalism at a time when the architectural avant-garde had already paved the way for new, bolder ideas. From that premise, however, this construction is notable due to its design and balance between horizontal and vertical elements, with two vast pilasters and a tower, crowned with a globe topped by the Freemasonry symbol. The lobby features a sculpture of Juan José Sucre and a mural painting by Manuel Mesa.